10-Band Parametric EQ
The Melody’s 10-Band EQ is a fully adjustable parametric EQ, featuring gain controls of up to +/- 12 dB, customizable center frequencies, and Q ranging from broad (0.25) to peaky (8), which I find very useful for taming the peaks on some headphones and IEMs.
There are seven preset and fixed EQ settings, including Jazz, Rock, R&B, Hip-Hop, Pop, Dance, and Classical. And three customizable EQ settings.
Web-App (https://fiiocontrol.fiio.com/)
Sound
The Snowsky Melody is a transparent, clean, and resolving DAC. It does a great job of conveying the sound signatures of the in-ear monitors or headphones you pair it with and does not saturate or color them, which is exactly what you should expect from a good-quality DAC-AMP. It offers a neutral signature.
The Snowsky Melody is very energetic from top to bottom, especially present in the upper mids and treble regions. Also does well in the detail retrieval department, especially around the midrange section.

Lows
The bass region is fast, agile, and has a good texture. The quantity of the sub-bass is sufficient. Bass feels agile and recovers fast, which contributes to the sense of speed, hence enhancing the technical capability of the Snowsky Melody. The control is very good here also, so there is no section overlap of any kind, and the transition between bass and mids feels smooth.
Here we have a neutral bass tuning. The warm bass tonality tends to relax the bass and present it in a tamed manner, but with a good amount of body and low-end extension nonetheless. Bass is fast, and it has a good pace and attack. Bass comes with a neutral amount of body, but it’s punchy and impactful. Bass never feels exaggerated in its presence. Detail-wise, it’s ok, but it’s not the best. Layering, on the other hand, is impressive.

Mids
The midrange takes front and center stage. The mids perfectly connect to the bass with the same presence, body, and impact. The midrange is perhaps my favorite out of the three major regions. The low mids have a good body, are adequate, and do not feel too thick or too thin. The Snowsky Melody is quite balanced in this regard.
The timbre feels accurate, the presentation feels neutral and transparent. It does not feel like it’s throwing details in your way, more like it presents them, and you are welcome to pick them out. What I mean here is that the presentation does not feel forced or artificial; it is rather detailed, articulate, and transparent in a natural way.

The vocals are brilliant with great resolution. The transition between subregions is seamless, the mids feel coherent, and they do a great job of carrying the emotion hidden in the tracks. The upper mids have impressive energy and extension and follow the steps of the remarkable treble.
Highs
The high frequencies also seem to be controlled and slightly timid, somehow held back from crossing over into distortion levels. Perfectly connecting from the mids, the Snowsky Melody is balanced in the overall presentation. The amount of body is the same as before, and what is remarkable here is the liveliness and energy in the delivery.

The top-end spectrum is quite nice. The Snowsky MelodyO has great treble energy. It is not particularly aggressive or bright; Snowsky did a good job of fine-tuning the treble. The quantity feels accurate, and the quality is definitely impressive.
The definition and extension are great; also, highs have good attack/decay, and feel dynamic—lots of space, good air, and spacious positioning on the stage. As I said before, Snowsky Melody reflects quite accurately. Overall, the treble is impressive.

Sum-Up
For just $39,99, the Snowsky Melody is “New King Of The Budget Dongle DAC-AMPs”. Makes me wonder again. This happened to me often with Snowsky’s products. How can they manage to sell this kind of quality product for this price and still profit?
When it comes to the wooden shell, I loved it. The best material for humans to touch, soft and organic. Although it has nothing to do with sound quality (in this case), it looks and feels amazing.